够黑了吗？

American film critic Elvis Mitchell’s kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism—a work of painstaking scholarship that’s also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated. 坦白说，最初我没打算去看这部影片。根据多年观影经验，中国式的惊天，最后通常都沦落为一场惊天的尴尬。所以不打算入这个坑，免得浪费时间和金钱，坐在电影院里又体验一次.